desolat are proud to present davide squillace. the rain might be slow to depart in northern europe, but this spring release from prolific dj, producer and a stand-up friend of the desolat family davide squillace should help to transform any lingering clouds into smoke-like cirrus swirls. time to warm up for summer! >what about the vice< is an urgent, bouncy, hissing number to take the dancer deep.

escape from new york >singles collection< contains the groups full discography. the group comprising of british record producers john falleti, mike whitford, nigel swanston & tim cox (who also recorded as airstrip-one) penned these two gems in the early 80s at a time when italo disco & new wave were the flavour of the day. >fire in my heart< needs little introduction, an incredible slow-mo balearic masterpiece with rapturous vocals. now worth a pretty penny this originally was released on uk rollerball records in 1984.

>united by hardness<, supreme collaboration between the stunned guys & art of fighters, official 2010 anthem of the wellknown united hardcore forces party, is finally out now on a wonderful picture disc.
the sound of the track is powerful and effective, the middle break is built up on a slow tempo hardcore kick drum, which takes you into the massive floorfiller melody. the lyrics speak for themselves!
on the b side the aggressive and strong remix by meccano twins on their typical style, a smashing kick drum, earbleeding grooves and noisy sounds.

>angles< stretches guitar strings like taffy through a forest of finger snaps and slow-motion electro shudder, with a cycling chorus teasing out medieval melodies. >materials< is quicker of spirit, with a rippling pulse played out on muted jazz drums, shuttling between blocked piano chords and silvery oscillators and weaving an irresistible groove. its beautiful, unexpected and absorbing music-and theres nothing else out there that sounds like it.

fat beats, slow bpm, funky samples and a heavy bass are the new ingredients for jefferson velazquez latest deep release. on the b-side, fueled with high octane, legendary detroit producer rick aade delivers a dancefloor friendly signature piece with strings and pads that made him world famous. as for every terpsichores record: a must have.

put your seatbelts on! after hitting toys in slow motion, bot.ox puts it into gear and takes to the autobahn, with uptempo drums, mad synth lines and freaky naive melody at the next left turn. >overdrive< could have been a perfect horror movie soundtrack, something like the pop corn theme covered by d.a.f.

side a) zone feat. robert lee – soul desires. summery slow mo disco, soulful beatdown. raw bass driving feel good track brings sunshine at your doorstep.
side b) time has been now. ltj … the longstanding producer from irma goes funky beatdown stylee, hypnotic, dubby vocal, whispering … as minimal as detroit production thought it still has the edge of italian recipe!

3rd release of shanti records presents a debut ep of artist dmitry ustinov. known for his parties >idle conversation< in clubs and dj-sets (as yaponets) dmitry now comes with his own disco production under moniker taras 3000. two tracks - slow and shining >white clothes< (produced together with famous local rock-band bi-2) and bassy new-wave flavored galaxis are supplemented by perfect dancefloor-ready remix of galaxis by pete herbert (reverso 68 / eskimo, ubiquity, k2).

mikkel metal aka mikkel meldgaard is back on echocord with a new powerfull ep. after the latest succesfull full length album with tikiman here comes the next ep on >passenger ep< mikkel metal tries explores new facets of his sound and take a detour from the dub-technom, thats his usual trademark. while obviously still retaining a metal-signature, theres an opening towards a more raw dirty detroit sound here, thats clearly new to his production. opening track >further< is slow tough track with a heavy kickdrum and simple theme. in its austerity it might actually remind one of very early metal productions like >eight< from echocord 01. remaing tracks >no stars today< and >i dream< both build on a dirty simple groove and layers synths and distorted themes on top.

bison return with their second single, soup fiction, a slow dirty groove featuring liquid liquid front man sal p

following the stunning and bestselling debut from das volt has taken the lna boys a little longer than expected, but boy was it worth the wait ! having forged a keen army of converts to their late night audio club nights & establishing a reputation as one of london’s best underground parties, it was only a matter of time before they started their own label to release the music they & their party people love to dance to. expect the finest in deep electronic house, balearic boogie and italo flavours, all expertly mastered onto luxurious vinyl with slick graphic artwork. toby tobias really needs no introduction, his productions have graced some of the worlds finest underground labels, and his debut lp on matt radioslave edwards rekids won unanimous praise. macasu is a solid dancefloor piece, layers of slick percussion, plenty of low end girth and enough of tobys trademark dubbed-out and lysergic track trickery to usher in the summers al fresco dancing perfectly. the mighty danilo plessow, otherwise known as motor city drum ensemble is at the top of his game right now, selling crazy units on his raw cuts series & almost single-handedly converting an army of minimalistas into disco darlings ! in his own words made for breezy summernights, open air, near the beach, beautiful people around you, and the dj spinning slow sexy jams like this. enjoy! a killer release folks, which won’t be around for long !

big with: basic soul unit, ame, ingo sõnger, oliver hafenbauer, dixon, sevensol, dirk rumpf,roland appel,.. back from the initial mild pitch release >this feeling< last year, ribn deliver their overdue follow-up entitled >light black ep< - three tracks as ambivalent as the title suggests! the title track is a mesmerizing house/technohybrid of colourful darkness, reminiscent of classic early ribn releases: meandering synths and hypnotic sound fragments crawl around a stomping beat while the crunchy bass loop keeps moving things forward irresistably. first up on the flip side is >sin & figs<, a warm and pathetic summer gem that is destined to soundtrack any sunrise over the next couple of months. rich layer textures and sweet little melodies make this piece one of the most emotional moments of the mild pitch catalogue to date. closing the ep on b2 is >stonedrum<, a slow-motion house treat with oddly pitched vocals, a subtle groove and heavy low-end. its masked and fragile funkyness and crackling background noises complete a complex image that requires more attention than a 30-seconds preview clip to get a clue..

creepy-crawly 4/4 beats suffused in a murk of analog synthesizers & electric guitars

is it balearic continue to dominate in the laid back and gorgeous stakes, with the boys taking a slow moped to italia for the 11th release!

deeplabs is a new record label out of detroit created and managed by detroit producer and dj luke hess. after several highly successful releases on labels such as fxhe, echocord, beretta grey, & kontra-musik and celebrated remixes on ornaments, pong musiq, and modelisme, luke has decided to take his style of deep detroit techno and root it firmly in the city that inspires his sound. deeplabs is a label created for the deeper, soulful, and experimental side of electronic music, with a clear vision of the dj and the dance-floor.

this debut lp by innergaze is chock full of rugged hand played analog synths lines, primitive drum machines, haunting vocals, and psychic jewelry. call it synthwave, call it punk, call it metaphysical body music or at this juncture whatever one sees fit, but this duos music goes beyond naming names for the sake of it. from the freaky, unrelenting opener >no shame< to the chris & cosey-esque >la la la<, this record creates many aural worlds to inhabit and explore. the title track >we are strange loops< bubbles at a slow, hazy drug induced bpm, while >illusions<, with its distorted almost guitar-like synth lines and stripped down 808 programming, brings things right back to the dance floor. the ideas and feelings executed here are a direct outpouring of what happens when the machines are turned on, played and recorded.

>all i need< kicks off with female vocal chat on housey beats, in the middle you hear more of heavenly vocal – slow minimal filter house stylee. side b, >got to see her< presents party minimal disco style, marvin gaye-ish vocal line comes in middle with killer electric piano code. >hurt me< starts with killer funky bassline, groovy percussion & clap. theo parish esque flavour makes this track stands out when you play just before peak time on the dancefloor! simply winner.

the mole cooks up two slow burners for the warm northern nights. >nervous disid< emerges from somewhere between bobby konders and that old dance mania b-side you always want to play - but never have the nerve. thick fuzzy kicks, and jacked up toms - result in a heavy techno disco jam for the mixers and lovers.
>secret mummy< is a slo-mo romp into colins secret cookie factory, flavors are tough, fierce, and popping. 9 minutes of organico-inspired house music mixed with forgotten disco horns and old rusted cowbells.

loco & jam are northern irish based techno duo, lloyd reid and james peoples. now its time for their brand new ep on marco baileys mb elektronics label. >roundhouse< builds up slow with a nice deep bass but turns into a big room techno track before you know it! the second track is a splendid remix of >roundhouse< by ascion & d. carbone. what the funk! this track has such a nice groove and will fit in a variety of record-bags. on the b-side you will find the uplifting track >3d symphony<. this track will surprise you again and again: so many things are happening here. peak time slamming techno destroyer!

eine metropole, zwei tonkonstellationsquellen. derart erkl?rt sich, in verknapptester k?rze, das konzept der neuen reihe bei monika enterprise. den anfang macht eine ver®ffentlichung aus der heimatstadt des labels: berlin. zwei aufregend abenteuerliche projekte teilen sich einen tontr?ger, dies wird auch in zukunft so sein. und bereits die erste folge der serie verspricht gro?artige entdeckungsreleases.

limited to 200 copies, vinyl only!! abstract forms brings you another slice of fine quality electronic music. derrick may describes him as >a very accomplished musician<, and he is not wrong. . . please welcome the very talented louis haiman. the formless ep features 4 tracks of wonderfully thoughtful and sublime electronic music. from hypnotic detroit influenced techno to slow outer limit electronics, this ep oozes buckets of digital soul thats carefully designed to take you on a sonic journey, it will free your mind. featuring 2 new exclusive tracks and 2 tracks from the >life after people< lp that was previously only available as a digital download, this ep will no doubt please all the vinyl lovers amongst us..

supported by: joakim (tigersushi), shawn mac, xaver von tryer (supersoul rec.), cosmo vitelli, walter jones (dfa), in flagranti, lsb dance disorder, discodromo, space ranger, makossa & megablast, dj morpheus, drrtyhaze, riotus rockers, bottin,.. 2000 lightyears from home is a slow track, but the boys conjure up thick beats reminiscent of early electro and an acid bassline that flows down smoothly. the remix is by altair nouveau, who we recently heard with a great work on dfa/solardisco. he delivers a moroder influenced more dancefloor oriented version. on the b side, come back, a direct track with a sure effect on the dancefloor, house beat and super groovy bassline

wonderful release by kyle hall on his new detroit based label wild oats. masterpiece 4 track ep, each track divine and unique in its own way. hot jazzy kyle hall fashioned deephouse that can serve a lounge and at the same time bang even harder on a dancefloor. kyle halls experimentalist off beat antics meets smooth jazz would be a way to describe the sound. poly rhythms everywhere but at the same time a cohesive groovy soulful feel. overall this ep is a must buy for anyone who is for the future of the electronic music genre and enjoys quality.

three seductive remixes of hess is more. the slow burner of >yes boss< is remixed by the revenge, >ssshhhh!< is stripped down and given a tribal infusion from zombie disco squad, and pete herbert gives a retro techno wash to >yes boss<. the revenge, zombie disco squad and pete herbert remixes all on one 12 inch vinyl

the one-two kick drum beat that starts “in the dark of the night” functions as a bit of a tease. instead of merely establishing the languid pace of the track, it has the power of suggestion, and its stark nakedness raises the question of what will happen after the music fully launches. a few seconds later, a punch-drunk, flanging keyboard is the first clue that the listener is in for an off-kilter ride, the sauntering bassline that next appears adds a springy, funk bounce. but it’s the tripped-out, multi-tracked vocals of fernando miranda rios, aka michoacan, the producer behind this slow reveal, that give the song its peculiar, space-yvibe. it’s like david byrne with funk aspirations and a vaguely cosmic feel. the b-side remix, courtesy of italy’s clap rules, feels like more of a re-build. the song has been taken apart and put back together with brand new parts. instead of more relaxed, dazed funk at the core, it’s a glittery, disco-ball splattered track with glossy keys all around.

second release on sleazy beats recordings crafted by an unknown italian slow-disco wizard aka the beatdown soundmachine. comes with two ltj mixes. limited 12 inch!

ferrispark records has always been known for its devotion to unique and soulful releases heavily influenced by the deep sounds of detroit and chicago. carrying on in the same manner is scott fergusons, disco and deep house infused, >midwest born & bred ep<. the first mix of >keep on lovin me< mixes dirty detroit rawness with chi-town acid to get dance-floors stirring while the second mix is more reminiscent of mid-90s nyc and chicago house. in the late hours of the night, flip the record over for the seriously grooving, slow, deep, and druggy, >staggerin & stumblin<.

mathematics label presents a new series based on a slower, seductive side of house music. three slow dance compositions and electronic love songs in recall tomita, art of noise, paul hardcastle, and franck roger. tracks by mayo souloman, the exaltics and florin buchel. intriguing and unique.

more ruff jamz from the 6th borough project bunker kicking off with the supa-dupa-slo-mo-soul cut, >slow down baby<, with chopped up strings and heroin-house bassline all present. the flip brings us >closer< to the edit and pitches us nearer the holy grail of tempos. >stratus quo< gives us tracky rhodes action on the intro and sends us a message in the music. number five is alive.

english duo behling & simpsons debut ep on pespectiv! hypnotic seductive and slow building house tracks with a warm groove. modern house tracks with strong references. october delivers a exciting remix version that shows he is not afraid to go outside the know path. somehow reminding of invisible circles by margaret dygas. anyway... another effective and tasteful house release on rippertons own persepctive label. check!

after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

second part, incl jay haze rmx! after releasing on labels like tuning spork ( as bunkers with signor andreoni), contexterrior ( with andrea ferlin) and on popof s form, alessio mereu returns with dissolved in the black on his new label amam . it includes 4 techno-techhouse tracks expressing a softer style in respect to his preceding productions without abandoning the techno groove enriched with vocals, real percussion and dark obscure synths. on top of it the release is made more precious by the remix of jay haze that presents a dark, slow, deep and intense track.

a little house in the deep blue sea: a perfect title for a tune, this track kicks off with a subtle, tribal groove, claps and deep chords then take the listener into the deepness. hypnotic, sweet and elegant music for the late night movers on the dancefloor. b1. thank you for listening: new york meets frankfurt on main with this tasty tech-house tune. a pounding bass drum combined with japanese vocal snippets, spooky strings and mills like percussion drive this tune on and into the peak time dancefloors. a must play for all lovers of the new school house movement. b2. for the moment: a slow mo tribal electro tune perfect for the morning after the night before. a tune made for all space night lovers and dreamers.

portugals finest exponent of the disco re-edit culture, social disco club, finally delivers his debut release on disco deviance. and wow has it been worth the wait! sdc has had releases on mindless boogie, eskimo and big bear amongst other top labels. he is also a top notch disc jockey and his dj sets are fuelled by his own disco re-edits. for this release sdc slices up the saturday night bands >dont< and extends it into a joyful heavy disco groove that rocks the dancefloor. while on the flip, he demonstrates a more slow mo disco style in his reworking of leo sunshipps >sunshine<, which brings to mind the work of mark e and the revenge, while still keeping a firm eye on the disco ball. both tracks are respectfully edited, lovingly re-mastered and cut loud at 45 rpm for maximum dance floor pleasure and dj delight.

the three new songs from young prodigies martinez brothers featured here, >broke in the bx<, >wont somebody<, and the title-track, all come complete with the brothers trademarks—classic drum sounds, slow-burning intensity, and soulful melodies in their synth work.

circus company is proud to celebrate its first collaboration with one of the most emblematic and talented actors of the jena scene. for sure you know robag wruhme for is past work on his own imprint musik krause and on freude-am-tanzen alongside monkey mafia as the wighnomy brothers dj duet. this artist always stand out musically. from his past releases till today and across his remixes you cant miss his unique personality in music. this four tracker provides a colorful musical palette of mr wruhme. from the dark and minimal side of blech beulé to the «herbertish» robadella and the magnificent melodical slow mood of 48° 52&#8242,,,,,,,,,,,, n, 2° 21&#8242,,,,,,,,,,,, (in between, thats the location for paris on the map in case you loose yourself…) while he was delivering the tracks robag also requested a remix from ark, another strong character of the paris. ark did a a brilliant work on this blech beulé remix which gives a nice „avant goût“ of his upcoming album on perlon which will be out in april.

the magicians private library is the debut album from holly miranda - a dreamy and bewitching new signing to xl recordings.

the stl project continues with warm, soulful and dirty sounding tracks from the basement. this record features five moving deep chicago flavoured house tunes, plus the always appearing dope loops on the b-side. oldshool stylish melodies between raw and colourful beats, channeled through vintage hardware equipment direct to your ears. evolving percussion patterns will make you get inside the groove and feeling of each track. things for the dancefloor and moody listening places. ruff house music without any frills! besides the great stl tracks, there is also a dubby rmx from intrusion echospace.detroit on the flipside, which will get you even deeper into sound. something vinyl series 11. grab yourself one copy as long as you can!

eddie c is a canadian dj and producer. he has already released some excellent re-edit stuff from the popular label in the nu-disco scene like jiscomusic, flashback, wolf music and more. a side, >between now and then< isatmospheric beatdown house which remind the production of mark e or the revenge. >you know how< is a classical slow mo house stuff with the soulful female vocal. b side, >the show is over< is more straight boogie disco housetrack. >gimme your dub< is like a balearic edit of give me your love of curtis mayfield.

incredible deephouse track with a lot of energy. minimalized bassline is giving it a masculine drive and the lush melody is very lively giving the track a loose feel and nice build up. comes with one of those well crafted mark e remixes with that driving slow house beats and measured and steady build ups. after fa016 another strong fine art release! limited to 300 copies.

3 techno funk cuts tailored to the dancefloor. support by gregor tresher, anja schneider, patrick lindsey, tim xavier, mathias mesteno, someone else & micro.fon artists m.in, sabb & dualton!! cut 1 sports a slow-mo groove peaking with classically instrumented breakdowns which then immediately dissolve into the stripped down dark groove again. b1 contains dirty vocals and a strong techno groove. b2 is a murder bassline cut with nice percussive work and interesting little grooves

roberto bardini is a deep techno producer from turin (ita). he is amongst the few enlightened producer/djs who declared independence from the current minimal-techno mainstream. his musical approach is by all means deep, and through this he casts his vision of a more mature and alternative dancefloor.
well known alongside labels such as shyan music and plastic city, in 2007 starts a collaboration with eclipsemusic and this is his second apparence named >new perspectives ep< features a slow-motion deep house vibes especially >through together< amazing synth texture running on pads pattern in classic robs style deep as the ocean, music with soul and appropriate track for sunset landscapes and beach time dancing, the titletrack >new perspective< is more techno oriented production with dub style chords and raw clipped bass, a new form of dub techno music better for dancefloor situations. rob confirms himself as a innovative deep man walking!

top notch remix package for erik xvis unionens sista dagar, a super slow mo machine funk of electro tinged techno inspired equally by drexciya, basic channel and legowelt.

our man ryo murakami sends over the next transmission in his exciting and growing catalogue of productions. always inspired by the raw and soulful sound of chicago and new york, this next ep puts forward his vision and continuation of this timeless house feeling. lead track >just for this< is a wonderful celebration of heavy slow motion house. classic house references and even a few classic samples meet in a dirty, deep ride into the tweaked out and extended vibes of the late night people. a journey through the city of house, a perfect refl ection of the times, bringing warmth and light in a once colder world. graeme clark aka the revenge, a fi gure who has enjoyed much success with his deviant disco sound, steps up for remix duties - and a fi ne job he does too! building his mix from the bare bones, adding a little more pace and forward momentum, his version is also tightly bound within the roots of emotional, deep vibes house. this is an outstanding remix - functional, clear and fully devoted to the classic sound. on the b side a mysterious original, >untitled<, sees ryo pushing things a little further still. the energy levels climb higher and higher as this modern hypno-houser phases and pulses upwards over nearly 8 minutes of jacking, sample laden freshness. we love to visit ryos house, where everybodys welcome and theres smiles all round

2002 classic!

its been a while since i:cube hasnt deliver some fresh cuts! was he lost in a software??? hes back (a new album is also scheduled) to his early naive, deep and twisted spirit, but with a super tight modern production... falling is a sleazy funk track, a slow burner, which contains all the elements who made i:cube one of the most respected and innovative producers around since more than a decade!! heavy groove, hypno bassline, references to the early disco-dub music. un dimanche sans fin (neverending sunday) was done (as its name says) a sunday night, one shot, at the versatile studio. cube reconnects with his seminal dub-techno love, a track full of space and emotion. i would describe operation hypnosis as sheffield house. a solid beat and some bleeps will bring the dancer into a mental spiral...

classic 2001 album! repress edition

a1) new love - this elevating new track is deep, funky and sexy. the beat is ever growing, the bass never ending. disco mixes with deep winking and eye to electro. b1) low down - sounds like a completely different atmosphere. still funky, its the perfect tune for a poolside party in la as the sun is going down... smart, sexy ladies get the party started moving to this disco house dance tune. b2) dont stop is the natural conclusion to this 12inch. we re at the break of dawn when this drops, as the sun is rising. slow bpms and vocal intermissions for those whose feet still want to move to the groove.

superfly disco and funk edits from the detroit man of the moment rick the godson wilhite and his pal billy love on stilove4music. contains three proper party starters and one slow jam. definitely a buy on sight record for all detroit house and disco heads.